first impressions : reconstructing language and identity in pauline johnson's "the cattle thief," jeanette armstrong's "indian woman," and beth cuthand's "post-oka kinda woman"
abstract
in this thesis, utilizing the works of contemporary post-colonial critics and
authors, i argue that poetry is a medium through which aboriginal women can reclaim
control over the construction of aboriginal female identities. i also argue that language
has played an important role in the history of colonization. firstly as a venue in which the
colonizers could construct a perception of the world in which an ideological subjugation
of indigenous peoples is not only appropriate, but necessary. second, as a venue in which
indigenous writers can address the disconnectedness of the colonially constructed reality,
and, lastly, as a space in which native writers can reconstruct history, the world, and
aboriginal identity according to their own multi-cultural and individual perspectives.
through close readings of poetry by three aboriginal women in canada, i argue that each
poet’s active engagement with the socially constructed relationship between signifiers
and signifieds allows them to re-codify the english language in ways that accommodate
their own multi-cultural and individual perspectives.
collections
- retrospective theses [1604]